Inside Man

Storyform

SYNOPSIS: "A police detective, a bank robber, and a high-power broker enter high-stakes negotiations after the criminal's brilliant heist spirals into a hostage situation."  Synopsis source: IMDB.com

Story Dynamics

8 of the 12 essential questions

Main Character Resolve: Change
Det. Keith Frazier changes his essential nature while attempting to solve the story's problem.

Main Character Growth: Stop
regarding Det. Keith Frazier, the audience is waiting for something to stop.

Main Character Approach: Do-er
Det. Keith Frazier prefers a physical solution to his problem.

Main Character Problem-Solving Style: Linear
Det. Keith Frazier uses linear problem-solving techniques.

Story Driver: Action
In terms of the overall plot, actions force decisions to be made.

Story Limit: Optionlock
The story climax occurs because all options have been exhausted.

Story Outcome: Success
In terms of the overall plot, the original goal is achieved.

Story Judgment: Good
Det. Keith Frazier ultimately succeeds in resolving his personal problems.

Overall Story Throughline

Getting Away with the Perfect Crime

Overall Story Throughline: Universe
Overall Story Concern: Progress
Overall Story Issue: Fact vs. Fantasy
Overall Story Problem: Non-Accurate
Overall Story Solution: Accurate
Overall Story Symptom: Unproven
Overall Story Response: Proven
Overall Story Catalyst: Security
Overall Story Inhibitor: Worry
Overall Story Benchmark: Present
Overall Story Signpost 1: Present
Overall Story Signpost 2: Past
Overall Story Signpost 3: Future
Overall Story Signpost 4: Progress

Main Character Throughline

Det. Keith Frazier

Main Character Throughline: Physics
Main Character Concern: Doing
Main Character Issue: Experience vs. Skill
Main Character Problem: Non-Accurate
Main Character Solution: Accurate
Main Character Symptom: Determination
Main Character Response: Expectation
Main Character Unique Ability: Skill
Main Character Critical Flaw: Desire
Main Character Benchmark: Learning
Main Character Signpost 1: Understanding
Main Character Signpost 2: Doing
Main Character Signpost 3: Obtaining
Main Character Signpost 4: Learning

Influence Character Throughline

Dalton Russell

Influence Character Throughline: Psychology
Influence Character Concern: Being
Influence Character Issue: Desire vs. Ability
Influence Character Problem: Process
Influence Character Solution: Result
Influence Character Symptom: Unproven
Influence Character Response: Proven
Influence Character Unique Ability: Ability
Influence Character Critical Flaw: Experience
Influence Character Benchmark: Conceiving
Influence Character Signpost 1: Being
Influence Character Signpost 2: Conceptualizing
Influence Character Signpost 3: Becoming
Influence Character Signpost 4: Conceiving

Relationship Story Throughline

Cat and Mouse

Relationship Story Throughline: Mind
Relationship Story Concern: Preconscious
Relationship Story Issue: Value vs. Worth
Relationship Story Problem: Cause
Relationship Story Solution: Effect
Relationship Story Symptom: Unproven
Relationship Story Response: Proven
Relationship Story Catalyst: Confidence
Relationship Story Inhibitor: Threat
Relationship Story Benchmark: Conscious
Relationship Story Signpost 1: Conscious
Relationship Story Signpost 2: Memory
Relationship Story Signpost 3: Preconscious
Relationship Story Signpost 4: Subconscious

Addditional Story Points

Key Structural Appreciations

Overall Story Goal: Progress
Overall Story Consequence: Preconscious
Overall Story Cost: Being
Overall Story Dividend: Doing
Overall Story Requirements: Present
Overall Story Prerequisites: Conscious
Overall Story Preconditions: Conceiving
Overall Story Forewarnings: Learning

Plot Progression Visualizations

Dynamic Act Schematics

OS: MC: IC: RS:

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