How do I interpret the objective character elements when forming complex characters?

How do I interpret the objective character elements when determining the formations of complex characters who do not respect the traditional archetypes?

Complex objective character interactions are similar to archetypal character interactions, just a little more . . . well, complex. What I mean is that you must interact the characteristics on a case by case basis using whichever characters they inhabit to make your point. Archetypal characters cluster non-conflicting characteristics together into each archetype, thereby simplifying the interactions. Complex characters might conflict in their methodology (e.g. Proaction vs. Reaction), for instance, yet be completely compatible in the motivations (e.g. Avoidance vs. Oppose -- little direct conflict here).

When using the suggested storyweaving methodologies, try thinking less in terms of the interactions of the "players" (i.e. you cast members), and think more in terms of the characteristics interactions. The players that have the characteristics will interact but potentially in different ways on different levels. Especially when you compare them to the rather simplistic interactions that archetypal characters have.

The bottom line is, the characteristics must be shown how they relate to one another. Characters (and players) are the means by which authors typically express those relationships/interactions. Our storybook worksheets are designed to show you how to work at presenting these interactions, but they favor the more simplified archetypal character relationships (to accommodate a more generalized audience). It may be time for you to use some of the concepts from the worksheets (introduction, interaction, etc.), but expand on them to fit your own needs.

Dramatica Story Expert

the next chapter in story development

Buy Now