the general area in which the Subjective Story Throughline takes place
There are four Throughlines in every complete story, each representing a different perspective in the structure of that story. One is assigned to the Objective Story Throughline and contains the story points attributed to the dispassionate argument of the story while also describing the area in which the Objective Story occurs. Another is for the Subjective Story Throughline and contains the story points which concern the passionate argument of the story and describe the relationship between the Main and Obstacle Characters. The Main and Obstacle Character are each assigned Throughlines as well, which contain the story points attributed to their characters and describe the areas in which they each operate. Each Throughline is the matching of a particular Class (either Universe, Physics, Psychology, or Mind) with a particular throughline (either Objective Story, Main Character, Obstacle Character, or Subjective Story). Each Throughline describes the general area in which the problems of its throughline will lie and from what perspective the audience will be directed to view those problems. Throughlines determine large, genre-like positions in the relationship of audience to story.