What is the Main Character Resolve?

Does your Main Character Change his way of dealing with the problem at the heart of the story (such as Ebeneezer Scrooge’s switch to generosity in A Christmas Carol) or remain Steadfast in his convictions (such as the innocent Dr. Richard Kimble in The Fugitive)?

Change can be good if the character is on the wrong track to begin with. It can also be bad if the character was on the right track. Similarly, remaining Steadfast is good if the character is on the right track, but bad if he is misguided or mistaken.

Think about the message you want to send to your audience, and whether the Main Character’s path should represent the proper or improper way of dealing with the story’s central issue. Then select a changing or steadfast Main Character accordingly.

Do you want your story to bring your audience to a point of change or to reinforce its current view? Oddly enough, choosing a Steadfast Main Character may bring an audience to change and choosing a Change character may influence the audience to remain steadfast. Why? It depends upon whether or not your audience shares the Main Character’s point of view to begin with.

Suppose your audience and your Main Character do NOT agree in attitudes about the central issue of the story. Even so, the audience will still identify with the Main Character because he represents the audience’s position in the story. So, if the Main Character grows in resolve to remain steadfast and succeeds, then the message to your audience is, “Change and adopt the Main Character’s view if you wish to succeed in similar situations.”

Clearly, since either change or steadfast can lead to either success or failure in a story, when you factor in where the audience stands a great number of different kinds of audience impact can be created by your choice. In answering this question, therefore, consider not only what you want your Main Character to do as an individual, but also how that influences your story’s message and where your audience stands in regard to that issue to begin with.


  • Scrooge, A Christmas Carol
  • William Munny, Unforgiven
  • Luke Skywalker, Star Wars
  • Judah Rosenthal, Crimes story in Crimes & Misdemeanors
  • James Bond, On Her Majesty’s Secret Service and Casino Royale
  • Frank Galvin, The Verdict


  • Job, The Bible
  • Dr. Richard Kimble, The Fugitive
  • Laura, The Glass Menagerie
  • Cliff Stearn, Misdemeanors in Crimes & Misdemeanors
  • James Bond, most other James Bond films
  • David Moscow, Big

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