
Filtered Analysis
Female stories


The Power of the Dog

Never Rarely Sometimes Always

Do the Right Thing

While You Were Sleeping

The Help

Ford V Ferrari

The Big Lebowski

Roma

Mississippi Burning

Moonlight

The Americans

Kubo and the Two Strings

Sophie’s Choice

Short Term 12

Brief Encounter

The Social Network

Ida

The Sixth Sense

The Producers

Terms of Endearment

La Dolce Vita

Juno

Rebecca

Field of Dreams

Let The Right One In

The Sound of Music

The Palm Beach Story

My Brilliant Career

Network

Jerry Maguire

Blazing Saddles

Team America: World Police

Harvey

His Girl Friday

My Fair Lady

Eat Drink Man Woman

Amélie

A Face in the Crowd

Into The Blue

Just Like Heaven

City of God

Donnie Darko

Mrs. Miniver

The Exorcist

The Exorcist

Chicago

There’s Something About Mary

The Others

Peyton Place

Y tu mamá también

The Contender

The American President

Auntie Mame

Moulin Rouge!

Some Like It Hot

The Matrix

Princess Mononoke

Desk Set

Return to Me

The Thomas Crown Affair

A Streetcar Named Desire

Bridget Jones’s Diary

City Slickers

City Slickers

The Optimist’s Daughter

Eve’s Bayou

Working Girl

Dogma

Beauty and the Beast

The Manchurian Candidate

My So-Called Life

Splendor in the Grass

Election

Pecker

Welcome to the Dollhouse

Central Station

Like Water for Chocolate

Scream

Ever After

Planet of the Apes

Breaking Away

The House of Yes

All About Eve

Sula

Witness

The Wild Bunch

Washington Square

Searching for Bobby Fischer

Rosemary’s Baby

Rear Window

Pride and Prejudice

Platoon

The Piano Lesson

Lawrence of Arabia

I Love Lucy

The Glass Menagerie

A Doll’s House

Bull Durham
Female
Main Character Mental Sex

Rosemary’s Baby
The female mental sex character resolves problems by comparing surpluses to deficiencies, and then taking steps to create a balance. When Guy first refuses to go to the Castevets for dinner, even though Rosemary makes it clear that she promised Mrs. Castevet, she begins reasoning out loud why they should stay home—creating a surplus of reasons acquiesce to Guy’s wishes. She doesn’t push Guy, but eventually he says, “Let’s go.” When her pregnancy becomes a seeming never-ending agony, and no one will listen to her, she throws a party where her friends can assess her shocking physical and emotional condition and push her to see a new doctor. When she grows weary of Minnie’s meddling, she accepts Minnie’s “herbal” drink, but then pours it down the drain. Thus she is dealing with the immediate surplus, but not yet taking steps to resolve the whole problem. When she discovers the truth about her baby, she is armed with a butcher knife as if she is willing to strike at one of the perpetrators, or even her baby. But she is confronted with a different inequity: the need of her baby. The story ends with Rosemary “becoming” the mother to her child, having seen the real deficiency in the situation, the baby’s lack of a mother.

Washington Square
Catherine is able to evaluate people in a holistic manner, for example:
“To her mind there was nothing of the infinite about Mrs. Penniman; Catherine saw her all at once . . .” (James 10)

A Doll’s House
Nora effectively assesses what she needs to do to maintain the balance in her marriage.

Bull Durham
Annie deals with everything in a holistic way. She doesn’t see problems and solutions per se, but rather processes and balances. Much of her coaching refers to imbalances between the two halves of the brain, and imbalances in the mind-body connection.